by: William Shakespeare

Cal Poly Theatre & Dance Department 2019

Director: Josh Machamer

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Thomas Bernard

Sound Design: Anna Bubier

Properties: Sammy Boyarsky

Cal Poly Theatre & Dance Department 2019

Director: Suzy Newman

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Thomas Bernard

by: Al Schnupp

Cal Poly Theatre & Dance Department 2018

Director: Al Schnupp

Puppet Design & Fabrication: Al Schnupp

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Thomas Bernard

Technical Director: Clint Bryson

by: Diana Son

Cal Poly Theatre & Dance Department 2019

Director: Karin Hendricks

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Thomas Bernard

Sound Design: Jacob Yagi

Properties: Sammy Boyarsky

by: Lauren Yee

Cal Poly Theatre & Dance Department 2018

Director: Mark Sitko

Scenic Design: Brian Healy

Costume Design: Thomas Bernard

Lighting Design: Beatriz Pereira

Sound Design: Meghan Hornbacker

by: Bertolt Brecht

Cal Poly Theatre & Dance Department 2018

Director: Josh Machamer

Scenic Design: Brian Healy

Costume Design: Thomas Bernard

Lighting Design: Brian Healy

by: David Kersnar

Lake Forest College 2016

Director: David Kersnar

Scenic Design: Brian Healy

Projection Design: Brock Alter

Costume Design: Nathan Rohrer

Lighting Design: Nathan Haberman

Sound Design: Max Fabian

by: William Shakespeare

Lake Forest College 2016

Director: Richard Corley

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Nathan Rohrer

by: Philip Dawkins

Lake Forest College 2015

Director: Matt Hawkins

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Melissa Torchia

by: Gilbert & Sullivan

Lake Forest College (at the Gorton Center) 2015

Director: Geoff Button

Music Director: Kathleen Van De Graff

Scenic Design: Brian Healy

Costume Design: Nathan Rohrer

Lighting Design: Brian Healy

by: William Shakespeare

Lake Forest College 2014

Director: Chloe Johnston

Scenic Design: Brian Healy

Lighting Design: Brian Healy

Costume Design: Melissa Torchia

by: Suzan Zeder

Utah Valley University Department of Theatrical Arts 2014

(Premiere Production)

Director: John Newman

Scenic Design: Brian Healy

Lighting Design: Michael Gray

Costume and Puppet Design: Jennesa Law-Fulton

Along with the cast and director, the technical crew did their best to make the production work. Set designer Brian Healy created a symmetical set that exemplified the uniformity of Zack and Abra’s town. I also appreciated the many ways that the actors could enter and exit (including a conveyor belt-like rotating section). Jennesa Law-Fulton designed the costumes and “junkyard” animal puppets. Law-Fulton used color to show the mundane life of the townsfolk, the eccentric characteristics of the wizard, and Max’s savage nature. Her puppets were also extremely creative in the way that she took everyday objects to create animals on stage. ~UTBA

by: Wendy Gourley

Noorda Theatre Center for Children and Youth

Utah Valley University 2013

Director: Barret Ogden

Scenic Design: Brian Healy

Lighting Design: Jill Loveridge

by: Gilbert & Sullivan

Utah Valley University 2013

Director: James Arrington and Robert Moffat

Scenic Design: Brian Healy and Steve Purdy

Lighting Design: Zach Lambson

Costume Design: Allen Stout and Janessa Law

by: Aurand Harris

Noorda Theatre Center for Children and Youth 2012

Utah Valley University

Director: John Newman

Scenic Design: Brian Healy

Lighting Design: Casey Price

Costume Design: Clarissa Lavon Knotts and Natasha Hoffman

Set designer Brian Healy did an excellent job of establishing the world of the piece. Walking into the Noorda Theatre, I was pulled into the simple, yet classic commedia-style performing space. Healy superbly captured the outdoor, touring troupe sense of the commedia world with a simple wooden platform creating a stage, the traveling wagon that would be the home for the actors. Healy also incorporated the traditional Harlequin diamonds into the backdrop.  It was easy to imagine a troupe of actors traveling around and setting up their show wherever they could find an audience. ~UTBA

Book by Abe Burrows, Jack Weinstock, Willie Gilbert 

Music and Lyrics by Frank Loesser

Utah Valley University

Director: Dave Tinney

Music Director: Kelly DeHaan

Scenic Design: Brian Healy & Stephen Purdy

Lighting Design: Michael Gray

Costume Design: Natasha Hoffman

From the instant I walked into the theater, I adored Brian Healy and Stephen Purdy‘s set. The color scheme and geometric shapes of the entire set evoked the pinnacle of early 1960’s architecture and taste. Moreover, the set (which permitted a theater in the round seating style) was remarkably versatile. It gave me the feeling of a sea of cubicles and offices in a large skyscraper, without having a single door on hinges or a cubicle wall. ~UTBA

by: Richard O'Brien

Scenic Design: Brian Healy

Lighting Design: Peter Bracilano

by: William Shakespeare